“Infinite Staircase was a marathon of canonical music and new works that displayed exquisite programming, stupendous technique, and forward-thinking expansion of classical music’s best traditions.”
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“Oxygenated by powerful intellectual bellows and endowed with muscular forearms, Chen didn’t just hammer Beethoven’s formidably relentless and ever-modern challenge to pianists and listeners; with fire and tempering plunges he alternately annealed, welded, sintered, and sensitively stretched the well-wrought iron into impressive curls and shapely forms. His carefully plotted interpretations conveyed nuance and compelling gesture through very well-graduated colorations and dynamics from white hot to warmly glowing. No two repeated chords sounded the same. Chen’s Beethoven seemed to anticipate Berg and Ligeti on this night.”
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Schnittke’s “Five Aphorisms” (1990), which the pianist Han Chen played with a sure, subtle touch.
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Both are fine pianists who graciously channeled their technical abilities into the demanding parts required of them.
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Mr. Chen played the selections with a graceful touch and attention to the score’s rhythmic precision, and his reading brought out the music’s hypnotic charm.
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